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Villefranche

Impure Blood

Villefranche is a coastal setting in the investigation of a death reported at a prayer service, where the beauty of the bay and the ordinary comforts of a private apartment sit beside the unresolved questions of the case. The town is both a specific address in the inquiry and a scene of contrast: an open, sunlit landscape framing a difficult conversation about a death.

Setting and Addresses

The investigation reaches Villefranche through a precise lead: Marie Lacroix is expected to be home around 8:30 on a Friday, according to the concierge at her building. The address in the investigators’ notes is Number 1, Quai Mercier, Apartment 6. This practical detail turns the town from a scenic name into a destination for the inquiry.

Lacroix’s Apartment

When Lieutenant Alejo Busquet arrives at 11:00 a.m., a petite brunette in a short orange sundress answers the door. He identifies himself as a Police Judiciaire officer, and Lacroix lets him in, saying she received his message. Her apartment is bright and furnished in pastel colours; a round marble-top coffee table holds shells, pebbles, and what appears to be a small bird’s skull. The carefully observed domestic details give the interview a calm, personal setting rather than the formal atmosphere of a police office.

Lacroix owns the apartment and another property that she rents to holidaymakers on Rue Verbier. She invites Busquet to sit outside, and he steps onto a balcony overlooking the Rade de Villefranche. Across the water, Cap Ferrat appears as a humpbacked silhouette, like a whale at the surface. The view makes Villefranche’s Mediterranean setting vivid, while the officer’s visit remains focused on evidence.

The Investigation in Villefranche

Busquet has come to ask Lacroix about a Nice-Matin report of the death of a non-Muslim at a prayer service. He calls the report vague and asks what more she can add. Lacroix replies that she was the person who called the police that day, explaining why she is relevant to the inquiry and providing a direct connection between this Villefranche interview and the reported death.

The scene’s contrast is central to the town’s narrative function. A balcony with an unobstructed view of one of the Côte d’Azur’s most perfect bays becomes the setting for questioning about a death whose circumstances remain unclear. Villefranche supplies neither an answer nor a resolution in these episodes; instead, it brings an important witness into reach and lets the investigation proceed against an unusually serene landscape.